Event on 2012-11-27 20:00:00
Tuesday, November 27, 2012 – 7:00pm doors / 8:00pm show
The release of Sunset Over Hope Street on March 1, 2011 via Downtown Records' Mercer Street imprint marks Ari Hest's first full-length album of new material in four years. That's not to say he hasn't been busy in the years in between.
After releasing The Break-In on Columbia Records in 2007, Ari decided it was time to take more creative control over his music and parted ways with his label. Utilizing all the technology available to him, in 2008 he launched his highly successful 52 project, a web based subscription service that found him writing, recording, and releasing a new song every Monday for an entire year. For those keeping track, that's 52 new songs in 52 weeks! Performing Songwriter called these songs "high-caliber and heartfelt." At the end of the year, the subscribers were asked to vote for their 12 favorite songs from the project and the ones that got the most votes were then reworked and digitally released in the form of the album Twelve Mondays in early 2009. The Washington Post wrote "An urbane folk-rocker with a sonorous baritone, Ari Hest sounds like a man out of time" and said Twelve Mondays was "skillful, pretty and straightforward."
52 helped Ari explore different genres and experiment with new instrumentation. And even with 40 unreleased songs under his belt after the release of Twelve Mondays, Ari kept on writing and experimenting. The end result, Sunset Over Hope Street, is a slight departure from his previous work. Ari expressed his self-challenging nature by taking his guitar parts and seeing if another lead instrument, like a piano, could take the guitar's place. The album is also awash with a variety of string arrangements and unique percussion parts.
Unlike previous albums, Sunset Over Hope Street was created over a protracted period of time – more than a year. Because of this, Ari was really able to take time, listen back and edit – a luxury that on previous albums had not been afforded him. There were vocals, drums, guitar parts, and even full songs that wound up being scrapped and others added as the album evolved. His patience paid off and the result, despite this different approach, is unmistakably Ari Hest.
There are a lot of themes covered on this record; from existential songs like "Until Next Time" and "A Good Look Around", to the more politically driven "Business of America" and "Swan Song". One theme that pops up repeatedly throughout the album is the passage of time – trying to take advantage of opportunities as they arise ("If I Knew You'd Say Yes"), lamenting the missed opportunities ("Sunset Over Hope Street"), wondering if anything better will come along in the future ("How Would I Know") – these are thoughts that linger in life, sometimes motivating and occasionally stunting one's evolution. Ari has built his career the old fashioned way, doing 150 dates a year for the better part of the last decade. In the past 24 months, he has added Europe into the mix through multiple tours in Ireland, Czech Republic, Germany and Belgium. Film and television has also expanded Ari's fan base. His music has been licensed numerous times to shows such as Private Practice and One Tree Hill, and he scored the film Dreamriders, which won numerous independent film awards, and also featured several of Ari's songs.
Ari's 2010 side project entitled The Open Sea, a duo with fellow singer/songwriter Rosi Golan, was also very well received both by fans and in the licensing world. Their work garnered three major television placements in the first six weeks after the release of their EP called Little Apple.
at Club Cafe Live
56-58 S 12th St
Pittsburgh, United States