Event on 2014-04-22 20:00:00
The Orb was born on a warm, Sunday summer's afternoon in after original members Alex [then calling himself LX Dee] and Jimmy Cauty [Rockman] had driven back from a Shoom party in Brighton to Transcentral on Jeffrey's Road, SW4 (where Alex's brother Martin also came into the world.) Using an OBX and decks, the pair cooked up the idea for 'Lovin You' [aka 'A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld']. However, the first track to bear The Orb name was 'Walking On Sunshine', first track on the Eternity Project set released on W.A.U./Gee Street in 1989.
In 1989, The Orb remixed Fischerman's Friend [aka Sun Electric], West India Company's 'O Je Suis Seul', the newly-formed KLF's '3AM Eternal', Marathon's 'Future Perfect' and even Dave Stewart and Candy Dulfer's top tenner 'Lily Was Here', recording the Space album in Bottom, Cornwall [Tracks: 'Mercury', 'Venus', 'Mars', 'Donner & Blitz', 'Pluto Calling', 'Sat On Jupiter', 'Nep-Tuned']. Alex also compiled 'What Time Is Love 1' on KLF.
That year's Orb remixes included Delkom, Depeche Mode, Erasure, Jam On The Mutha, Marathon and Sun Electric. At the same time, Alex was holding down an A&R man position at EG Records, home of ambient music and otherworldly whoopee.
By now, Alex was hatching the first Orb album, Adventures Beyond The Ultraworld, transplanting the wild invention of dub and Kiss FM mastermixes into the new vistas opened up by acid house, fuelled by his fevered imagination, interest in aliens and immersion in pioneering electronic music by the likes of Eno and White Noise. With Youth off on various projects, Kris 'Thrash' Weston stepped up to twiddle knobs and translate Alex's creative ejaculations. 'Little Fluffy Clouds' was a pumping new dub mutant, laced with harmonica & radio 4 plus Rickie Lee Jones expounding from a promo CD interview and glistening melodic stratas.
Thomas Fehlmann is the longest-serving Orb satellite member, a legendary titan in the history of Berlin's electronic music scene. Born in Switzerland, he had relocated to Hamburg by the time he formed seminal outfit Palais Schaumburg with Holger Hiller in 1979, moving to Berlin in 1984. After splitting with Hiller, he concentrated on his home studio and sampler, releasing records as Ready Made and starting his Teutonic Beats label in 1988. Thomas also became a respected DJ … becoming a resident at Berlin's renowned Tresor club in the 90s. He also became a pivotal part of the Berlin-Detroit connection, forming the 3MB with Juan Atkins and Moritz Von Oswald.
Alex met Thomas in May, 1989 in his capacity as his A&R man at EG, when the latter was in London toting his latest set, 'Vorsprung Durch Musik'. Thomas was over with Sun Electric, Marathon and half of DAF, cementing the relationship by taking them to the spangled wonderment of Shoom. After the Orb remixed Sun Electric's 'O'locco', Thomas co-wrote 'Outlands', starting the telepathic studio relationship which continues to the present.
LX was spinning at Berlin's Space club November 1989 the weekend the wall came down . & watched the collapse of the wall with Thomas & sun electric .. a moment in time!
'Back Side Of The Moon' and NASA-laced 'Supernova At The End Of The Universe' saw Alex collaborating with Steve Hillage and Miquette Giraudy, who'd recently started System 7, while the stratospheric skank of 'Perpetual Dawn' was written by veteran London sound system operator Eddie Maiden (R.IP). Alex has always been very loyal to his mates, many old Grove-Battersea lunatics still about in various capacities. Despite now playing bass for Pink Floyd, Guy Pratt played on the langorous 'Spanish Castles In Space'. The album sparked a new term called ambient house but was already striking way beyond such categories, into the Orb's own ultraworld.
The original double album took the form of an epic space odyssey, starting with side one's three Earth Orbit tracks ['Little Fluffy Clouds', 'Earth [Gaia]', 'Supernova At The End Of the Universe'], followed by side two's Lunar Orbit ['Back Side of The Moon', ''Spanish Castles In Space'], side three's Ultraworld Probe ['Perpetual Dawn', 'Into The Fourth Dimension', 'Outlands'] and four's Ultraworld pair ['Star 6 & 7 8 9', 'A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld']. Star 6 & 7 was written with long time friend Hugh Vickers aka huge knickers & tom green.
While the April, 1991 launch for Ultraworld was held at a North London floatation centre, The Orb was turning into a formidable live experience, blitzing through album tracks and soon-to-be classics like 'Towers Of Dub', taking venues into a senses-blasting new orbit. This was still the spirit of punk rock, meaning rules were broken, there was attitude under the ambience and healthy regard for upsetting the nearest applecart, giving it the large salad atop a spangled middle finger. October saw Primal Scream's Screamadelica, on which The Orb produced the transcendental lift off of 'Higher Than The Sun'. The album gripped a nation keening down from the initial ecstasy flash. Alex DJed with Andrew Weatherall on the insane Screamadelica tour and, apart from having a blast, pumped some of this heavenly gas into the back passage of his own mental soundscapes. The only way was up. "I'm the first person to be amazed by the success of what's going on," said Alex. "It's not preconceived and we're not copying anyone else."
The album would go on to make Melody Maker's top 30 1991 albums list, Spin's 90 Greatest Albums of The 90s list, number seven in Muzik magazine's Top 50 Dance Albums Of All Time and ranked at 45 in the NME writers' list of Greatest Albums of All Time.
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